Veni, Vidy, Vici

Davide-Christelle Sanvee investigates the history of the Théâtre de Vidy, built 60 years ago for the 1964 Swiss National Exhibition, setting it in resonance with her own experience as an immigrant in Switzerland. She has conceived a promenade performance that questions her place within these walls and this architecture, moving between the auditorium, the foyer and the lakeshore like three chapters of a past and future history: critical, inclusive and decentred.